Lullaby and last goodbye is an autobiographical photobook that, through the use of archive and original images, deals with the themes of mourning, the reworking of mourning through photographic research and the relationship between fathers and sons. As I look at the photographs taken by my father and revisit the places of my childhood hidden in my memory, I regain awareness of my relationship with my parents, our life and how my childhood was not

The idea of ​​a perverse and evil human nature has always dominated the western imagination, fueling the belief that only strong social institutions such as the State can subjugate it and make coexistence possible. But this hierarchical and unequal vision has moreover placed a heavy mortgage on the future of humanity, precisely because it claims that there is a human nature, that it is universal and that therefore its realization must be guaranteed. On the

This book offers a panorama of electronic music through the exploration of its history, its imagination, its innovations and its connections with other arts. It is the very first work devoted to codes and cultures of electro, by passionate observers and artists involved in this movement. Electronic dance music, whose founding genres are house and techno, was born over thirty years ago in Chicago and Detroit thanks to the talent of black American musicians and

After The Americans, The Lines of My Hand is arguably Robert Frank’s most important book and without doubt the publication that established his autobiographical, sometimes confessional, approach to bookmaking. The book was originally published by Yugensha in Tokyo in 1972, and this new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972.  The Lines of My Hand is structured chronologically and present

In Look at me like you love me, Jess T. Dugan reflects on desire, intimacy, companionship, and the ways our identities are shaped by these experiences. In this highly personal collection of work, Dugan brings together self-portraits, portraits of individuals and couples, and still life, interwoven with diaristic writings reflecting on relationships, solitude, family, loss, healing, and the transformations that define a life. Dugan has long used photography to understand their own identity and to