Eyes as Oars. A Visual Journey to Mars, published by Danilo Montanari editore, 2018 Since the advent of magic lanterns in 17th century, images have unfolded and revealed their powerful kinetic potential: without moving from his/her home the viewer can travel worldwide with dizzyingly acceleration and/or sudden stops. No one has ever been to Mars but today we can explore it with our own eyes thanks to NASA images, which allo

The Drone Chronicles 2001-2016, published by éditions CPG & Spector Books, 2019 Why are drones — or unmanned aerial vehicles (UAV) — so present in our daily news feed and local retail stores, but do we — despite sky-high sales numbers — hardly see them fly in our public airspace? This paradox of invisible presence lies at the basis of The Drone Chronicles, an editorial diptych that maps the evolution and integration of drones in our society fr

Album, published by Fw:Books, 2019 Album is a continuation of Nicola Nunziata’s research on the materiality of photographs and the photographic objecthood; Album is an essay/research focused on to the object and subject of the medium. During a residency fellowship started mid 2017 at the Istituto Centrale del Catalogo e della Documentazione (ICCD) in Rome – one of the biggest national photography archive in Italy and part of the National Heritage Ministry – Nu

LO SPAZIO NECESSARIO (2019, in progress) LO SPAZIO NECESSARIO is a workshop focusing on the concept of the archive, considered as a place for reflecting on identity issues and on the representation of complex realities, determined by sudden transformations of the map and the territory. It is an interactive research programme which uses the photograph archive kept at the Eco Museo Urbano Mare Memoria Viva, based in Palermo.  Curated by Novell

Haris Epaminonda, Chapters I-XXX, published by Humboldt books, 2014 Haris Epaminonda uses video and film, collage, photography, books and objects in an extensive process of assembling and disassembling appropriated materials to reconstruct non-linear narratives. The artist works with found images from the past – sometimes faded travel photographs or the pages of old nature magazines, ethnographic artefacts or footage from forgotten television programmes. She then manipulates the images, cutting and layering, to create new wo