Ottobre 2020
Guido Guidi, photographer
La figura dell’Orante. Appunti per una lezione, vol.1, Edizione del Bradipo, 2012
The following text is a free transcription of telephone conversations between Guido Guidi and Benedetta Cestelli Guidi
I am interested in how things look, not in what they are – I am definitely not a philosopher or an Indian guru! I explore different vantage points in accordance with the temporal nature of observation. Movement and time are my concerns. I&
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Settembre 2020
Alena Alexandrova, cultural theorist and independent curator
Three exhibitions and a book in development
Sascha Pohle, Attachments, 2015
Capturing Metamorphosis, exhibition at the Allard Pierson Museum, Amsterdam, 2010
Hypothesis of a Lost Fragment, exhibition at YGREC, École nationale supérieure d'arts de Paris Cergy, 2015
Anarchic Infrastructures: Recasting the Archive, Displacing Chronologies, exhibition + symposium + now a book draft
There are two exhibitions I curated, which resonate with, and are inspired by Warburg’s approach. In the f
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Settembre 2020
Giulia Marchi, artist
Everything move ahead with the strongest of time, multiplo, 2019
Turin, winter 1888-1889. Friedrich Wilhelm Nietzsche, 44 years old, German, professor of Classical Philology, retired for almost ten years is living in Piazza Carlo Alberto. Here he sees a horse being beaten and whipped by a coachman. The intellectual, since a long time span devoted only to philosophy and music, runs towards the animal, embraces it and faints to the ground. Fr
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