In this book, Massimo Siragusa pauses the camera and relies on words, weaving photography books and literary works into a reflection on the deep connection between places and identity. At the center of this tale is that little piece of the world with which we have an intimate relationship - made up of memory, belonging and affection - that defines us and returns an image of us every day. The landscape, here, is much more than a background:

This year, as well, we are happy to participate in the opening weekend of this festival, each edition more interesting and full of exhibitions and meetings to follow. And this year, as well, we will bring a selection of books inspired by the authors in the exhibition and some other unmissable gems from our shelves. Here are the names of the artists involved in this year's exhibitions: Lukas Birk, Jean-Marie Donat, Tiane Doan n

Sex or Politics? is a publication that emerges from a participatory project centered around an anonymous, hour-long conversation between strangers. The process involved one person who poses a question while another (unknown to them) responds and offers a new question for someone else. This chain continues, creating a thread of spontaneous, unfiltered dialogue. The publication compiles these handwritten exchanges, preserving the individuality of each participant through their unique script, while keeping identities hidden. To ma

The Line of Water explores memory as a shifting, fluid entity, where trauma is not just a wound but a catalyst for transformation. Through a poetic and metaphysical reflection on transience and loss, the project examines how the territory—both physical and emotional—absorbs, reshapes, and transmits traces of the past, generating new languages of remembrance and creation.Sara Palmieri, a visual artist working primarily with photography, investigates the material and symbolic potential of im

Nuovo inventario dei menhir salentini is a photographic journey-with black-and-white film and view camera-to discover the ancient menhirs still present in contemporary Salento, accompanied by texts by Francesco Careri and Filomena Ranaldo. "This inventory lists, ordered by longitude from east to west, the menhirs I photographed in Salento between 2021 and 2022.They are layered, often Christianized stones, incorporated into flowerbeds, traffic circles and street furniture, besieged by the contemporary but not vanquished: their energy as st