Between the Aiguille Rouge and the Rochers de la Sueur, on the Franco-Italian border of the narrow valley, to cross the difficult passage called Le Mauvais Pas, there was a ladder. It had been built there to facilitate access to this point where the Alps force you to walk vertically. Alternate to the new road, the path is still as steep. A staircase now replaces the old ladder and preserves the accessible strait. Today, in

Every year, 47,000 women around the world die due to botched illegal abortions. Those who survive risk imprisonment, while millions of others are forced to carry pregnancies to term against their will.  Control of female fertility has long been an ambition of most states, societies and religions in the world. Although safe and efficient abortion technologies now exist, at least 138 countries restrict a woman’s right to terminate pregnancy under various conditions—in some co

A project that pursues the decolonisation of education through the articulation of art practices, research and activism, implementing hybrid format between higher education and artistic experimentation. The project builds upon researches, artistic experiences and social movements that claim the urgency to problematize Eurocentric, discriminatory narratives and hegemonic pedagogical contents in schools and society at large. It is also concerned with school abandon rates and lower access to higher education among racialised people and groups exp

In the early 1980's, Sunil Gupta enrolled at the Royal College of Art in London, where he had access to colour negative processing facilities. He took to the streets of the capital in search of the centres gay London life around Earl’s Court, King’s Road, and the West End. "I hoped to repeat my experience of Christopher Street in New York, except now in London and in colour. It wasn’t to be. Even what a

Presenting a diverse geographic and ethnic selection, the What They Saw anthology interprets historical photobooks by women in the broadest sense possible: classic bound books, portfolios, personal albums, unpublished books, zines and scrapbooks. Some of the books documented are well-known publications such as Anna Atkins’ Photographs of British Algae: Cyanotype Impressions (1843-1853), Germaine Krull’s Métal (1928) and Diane Arbus: An Aperture Monograph (1972), while other books may be relatively unknown, such as Alice Seeley Har