FLORE, L’odore della notte era quello del gelsomino, 2020

‘The concession was abandoned, as were the lands of the dam, pictures and writings together, the book was finished, sold out, reprinted, sold out again. Time had passed, but the words were still there. Marguerite still was present-absent. Van Duras continued to recount the undertow. This woman and this work have never ceased to leave us. When the voice left, we could hear ours better. When Indochina is two generations away from France, it is a family photo to bookmark the Eden cinema and what pushes towards Saigon is also the racontos that enchanted their childhood. going back. And maybe go back again. ‘

FLORE
Hanoï, 2019