Dario Sartini, Urbs, 2024

Dario Sartini chooses as his point of view to look at Rome the frame of the public transport windows, and his story runs along the thread of the tracks, the switches, the bus and tram routes, the streets animated by this incessant going.
There is a Rome that moves, a Rome that sweats, a Rome that wheezes and throws madonnas at traffic lights. There is a Rome that is dirty and vital, angry and obstinate.
There is a Rome in which the great monuments are only extras.
Rome is intensely itself but, at the same time, has the breath of any other metropolis.