The publication Obscure Work, by ৺ ෴ ර ∇ ❃ ꩜ ﹌﹌ @cnsss_ — Sonia D’Alto, Claudia Gangemi, Susanna Gonzo, Sofia Melluso, and nao, with Marea Art Project, originates from the Sicilian shores of Alicudi and unfolds along the Amalfi Coast.  The project moves through full moons, witches, magical formulas, healing rituals, and mythologies, engaging practices of consciousness-raising and drawing on stories woven from the collective memory of the communities of Praiano and Positano. Born from the reside

“Photograph the waves to preserve the memory of their words” “OHGREATSEA!YOU CREATE THATWHICH I SANG ABOUT AT THE BEGINNINGOH!, HORIZON OF EYES AND FLIGHTSOF SEAGULLS AND BURNING SUNS!PLACE OF PASSAGE OF THE CELESTIAL OF THE EVER FLATLUCKY ENCOUNTER OF STORMSOF SALTY WAVES AND MOONSFULL THAT FREEFLOW AWAY.AND I DIEI” These are the words the two photographers used to summarise their work: a series ofphotographs taken in faraway places. Ba

Tesoro carissimo is the monograph dedicated to the work and research of Sara Basta, published by Viaindustriae and edited by Cecilia Canziani and Ilaria Gianni.Titled after the eponymous exhibition hosted last year in the spaces of IUNO, the editorial project retraces the artist’s career, delving into some of the themes that inform her practice: the collective dimension, expressed both through the use of the workshop format and through the participatory creation of th

We humans are animals that tell stories, and culture is the result of our evolution. Novels, works of art, and music are not abstract “spiritual” elements disconnected from our physicality, but rather a feature of the material life of our species. We need an imagination that helps us break out of our species boundaries, an imagination that recognizes and gives voice to the whole world that we consider “other” but which is instea

Oddments is a photographic project that stems from the observation that all images contain involuntary stories that are initially unknown to us. It explores how test strips contain spontaneous decisions that reveal the involvement of the subconscious, an underlying intention. It reflects on the remnants of discourse, on the excess of processes that take place in the darkroom, on what is forgotten. In front of the enlarger, we make test strips from a nega