We happily take advantage of a short stay in Rome of the editor and coordinator of the publishing house, Mauro D'Agati and Kateryna Filyuk, to devote an afternoon to their publications and the possibility of a direct chat&talk with this volcanic photographer and publisher and some of the authors of his most recent publications. In addition to Mauro, in the bookstore with us are Pierluigi Ciambra, Veronica Barbato and from 6 p

Sancta Ratio Chaotica! L'ora felice in La maggiore is part of the larger body of work Photo Trouvée: la parola all'immagine, which began in 2015, in collaboration with Micamera_Milano, presented at the Pac-Padiglone of contemporary art in Milan in 2016 in a series of meetings dedicated to archive fever. From 2019 it finds periodic return in the Cinema Beltrade in Milan, in dialogue with the independent film festival Indocili, dedicated to young Italian

We are happy to begin the year with a reflection on process through an exhibition devoted to the transitions from photograph to artwork and from artwork to book. "What happens to journalistic reportage photographs when the news is published, outdated, and years of new news put distance between the shot and the life of the image?" This seems to be the question Gabriele Stabile asks himself when, after more than a decade, he reopens his archive an

In New Works for a Post-Worker’s World, Valenzuela continues to deeply address the realities of working-class lives in the United States and the power structures to which they are subjected, already explored in his oeuvre. The publication collects a new body of works of black-and-white images, scenes of machine-like contrivances meant to evoke labour and its afterlife, in dialogue with a visual essay made of archival images highlighting the power struggle between American

Swim Till I sank is the result of many processes of reworking and layering of a work whose starting point is his photographic archive, images at first made for an editorial context, but very far from exhausting their life and function once published, when and if published. Over the years going back to the memory of the experience of those events has pushed Gabriele to reappropriate that visual material through a physical rework