Il Mio Sogno was born from a collection of hundreds of old photographs found at the flea market in Piazza Marina in Palermo. They are portraits taken after World War II, first in Sicily and then around the world, crossing oceans during the years of the Italian economic miracle. They are the biography of Giacomo Calò’s, who left the small fishing village of Arenella (Palermo) to embark on cruise ships to wo

"Tutto and Fiori belong to my very first works in Polaroid600 Round Gold Frame series. I consider these works as a possible result of actions that determined their form, and that led me to investigate the performative capacity I can have with space.I was interested in the use of the Polaroid for the possibility of returning to a zero degree of the gaze of deconstructing the act of photographing." Marta Lauret

I visit villages to understand how they are doing.But even prior to that, I visit them to understand where they are located: on a mountain or a plateau, in a valley or in the plain.Villages speak, as everything does, and they speak primarily through geography. They are land to be read - even though they lost many words - and to be written about.Franco Arminio Varco Appennino (Apennines passage) is an explora

Leporello reopens its doors with the opening of a collective exhibition dedicated to some of the best Roman silkscreen printers and the presentation of the book that inspired it, V.I.P. - Various Italian Printmakers. On show a selection of silkscreen works by 77 denari - Arturo – Clockwork - Else - Hitnes - Fuori Registro - Mynameisbri – Screamprinting - Vitagrama - Vecchio Stampo - Ver Eversum V.I.P. - Various Italian Printmakers, edited by Daniel Tummolillo and Francesco Ciaponi, published by Edizioni del Frisco, is the first book on art si

In the first period of confinement due to Covid-19, the photographer Nicola Bertasi, during his research, came across an American public photographic archive in which he found evidence of significant moments of the Spanish flu of 1918-19 in the United States. As in a clouded and confused dream, those images of the early 1900s populated by figures with masks, signs with prohibitions and makeshift hospitals, were mixed and superimposed not only wit