"Let Me Sow Love" is the result of the intimate relationship between the author and his community: quiet and delicate, the photographs depict everyday life in all its simple and luminous beauty. The images go to constitute a cross-section of the modern-day United States without any desire to raise criticism or make judgments; the sequence weaves poetic visual compositions, alternating between portraits and glimpses of landscapes, both natural and urban, to bring to life a tale of f

Blueprint 2017–20 explores how the mass media has influenced political debates and democratic processes during the process of Brexit. Norman Behrendt's photographs of Brexit-related video material examine what sort of imagery is used to influence people by stirring up deep-seated attitudes around national pride, immigration and lack of control. The blue color of the cyanotypes reflects the invisible influence of the European Union on the United Kingdom. When Norman Behrendt arrived in London from Berlin in

In 2018 Stephan Keppel started collecting works and stories of Amsterdam; the city where he lives, and works. The city is constantly changing, and so are the visible, invisible, social and historic structures. In Soft Copy Hard Copy Stephan Keppel explores and organizes these structures, creating an organic index of the city. This book is part of Keppel’s ongoing research on the public space, urban structures and reproduction, and is combining his own photographs wit

The perspective with which the State looks at society and nature is intentionally ultra-simplifying because, to understand (and control) everything, it must inevitably compress the diversity of the territory and its population within standardized grids that are easier to manage. Reconstructing the epochal passage that led to the current configuration of power - through the establishment of maps, censuses, fixed surnames, cadastral lists, weights and unified measures ... - is essential to grasp the art of modern government, with it

The book Foxtrot Gate – Cyprus is part of a series of publications about nations at war, or in crisis; conceived by Giovanna Silva, they tell the stories of different countries through photographs of their multifaceted landscapes. In the case of Cyprus, Silva has attempted to decipher Nicosia’s recent past and contested present, their symbols and physical structures – along with related erasures, which are inscribed in the landscape of the divided capital itself, and in