*Slighty damaged slipcase* Supernew Supergraphics reflects the numerous ways in which graphics are invading public spaces and disrupting the sometimes-staid world of public architecture. It’s a compendium of graphic excess on a monumental scale. It features new work from around the globe, and interviews with leading practitioners Felice Varini, Sascha Lobe, Sara De Bondt and Boa Mistura. The book’s design by Spin is a tour de force of graphi

Max Bill (1908–1994) is primarily associated with the terms “Concrete Art” and “Environmental Design”. He was active in nearly every area of art and design, which were universal concepts for him. Furthermore, his theoretical publications have turned him into one of the most fruitful stimulators of Modern Concrete Art in post-war Europe among the Bauhaus generation of students. This volume offers a comprehensive view into an area of his work that has so far rec

A man of letters and a companion of the surrealist movement, Roger Caillois was very early interested in the mineral world whose forms evoked for him figures of the imaginary. As early as the 1950s, he began collecting minerals from all over the world, "curious stones, which attract attention by some anomaly of their form or by some significant oddity of drawing or color". All possess "an unexpected, improbable and yet natural resemblance, which causes fascination".

This publication is composed of all the slides Frido Troost (1960-2013) used for his classes at the Gerrit Rietveld Academie. Troost, art historian by trade, was a pioneer in collecting photography of all sorts. In his store Institute for Concrete Matter many types of photography were represented, varying from da-guerreotypes to albumin prints, stereo photos to family albums. The images in this book come from all kinds of sources: paintings, advertisements, erotica, art objects, por

Published with Na Kim’s eponymous solo exhibition at the Seoul Museum of Art, which is dedicated to letting children explore the artist’s visual language through works in various mediums. The title, Bottomless Bag, is borrowed from the mysterious bag in the animated film Inside Out. The bag contains endless odds and ends belonging to the main character, which links her to her memories. It also recalls the “Object Bag”, which was widely use