In February 1993, Peter Watkins’s mother walked from Zandvoort beach into the North Sea to her death. The Unforgetting is the artist’s long-term exploration of trauma, loss, and shared familial memory, all woven into a series of works that have been created over a number of years, and now for the first time come together in the form of a book. At its core, the project explores the tragic loss of his mother to

Matter has always constituted itself as a fascinating and seductive enigma for every human society. After all, it is through materiality that man experiences both his condition as a body among bodies and his historical and cultural power. And if it is true that over time other dimensions have been imagined that are capable of escaping the material ballast of reality - extra-corporeal worlds of pure ideas, translucent spirits and diaphanous entities -, on the other han

"These pictures are from every time and from every place. When I look at my contact sheets I often lose myself in memories that I share with the people I photographed. Throughout the years these pictures have become my private diary, with a taste and a language of its own. A small world inhabited by my very own, very real people. For me it is interesting to find that condensed and tender moment. It's an entry into

This handmade book explores interaction between photography and theatre as a space for representation. Libretto sees the artist use both her own photos and those from an obscure archive to form a constructed space, akin to a theatrical stage, made of both the real and the imaginary.

The catalog presents itself as a moment of inquiry into the perception of the museum and its space-time function. It presents a wide series of unpublished photographic works by Mario Cresci, the result of a research work that comes from the territory, from Palazzo dei Pio and from the city of Carpi. Continuous references between the architecture of the building and the objects that it preserves of the culture and history of Carpi, create a p