Sergio Scabar, OSCURA CAMERA, 2019

“Like Morandi, Scabar often uses the same actors, an egg, a bowl, a spoon, a ladle, a bottle, an old book.” The investigation goes far beyond a possible narrative dimension, “stresses Madesani, and this is precisely what happens in his works, there is an idea of photography that does not want to tell how much to crystallize, fix things and give the right dignity through a very refined visual grammar, consisting of a well-rounded culture, which passes through the ‘art understood in the broadest sense of the term, painting, music, cinema, but also attention to the social and a civil conscience that does not let things slide over them, but analyzes them, in depth. “