Leporello will be closed from SaturdFrom September, the bookstore will be open only on Thursday and Friday afternoons, in addition to days when there are presentations or workshops. We will still often be there, perhaps even in the mornings, but before you stop by check google, the website or our social media, or just give us a call. It will always be possible to come by appointment, by calling and or emailing us at info@leporello-books.com
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November 2019

THE LAND IN BETWEEN

The photographer Ursula Schulz-Dornburg (1938) concentrates as an artist on frontier landscapes, borders, places of transit, and relics of past cultures. Looking at the areas of historical or political importance passed with his images, he highlights how conflict, destruction, time and degradation transform the landscape. "The Land In-Between" combines the photographs taken between 1980 and 2012 in these middle areas, precisely, that for a period of thirty years the Schulz-Dornburg explores, visiting Armenia, Georgia, Iran , Iraq, Saudi Arabia, Yemen a
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December 2019

WILL MY MANNEQUIN BE HOME WHEN I RETURN?

Nighttime is often when both humans and animals revert to their truest and most intense physical and psychological states. Arko Datto looks at the night and life that subsists in nightly spaces, often in direct and brutal confrontation with each other, walking through it as if it was a dream. The book is conceived as a dream itself, as a non completely conscious state in which repetition, overlaying and visions are the reference points for
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December 2019

THE BURNING PLAIN

The Phlegraean Fields, one of the most densely inhabited places in the world, are sitting on a super-volcano. Half a million people learnt to coexist with it and with the constant eruptive activity of gas or mud, with earthquakes and with the bradyseism, a phenomenon causing the soil to slowly swell and deflate for several meters. Life on the Phlegraean Fields is a mixture of anxiety, hope and resignation, in an unique blend of emo
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December 2019

PETRUS

Petrus reflects on a certain rhetoric of masculinity in Western culture. It is about the human drive to define ourselves and the world through a definite form. Form is never stable though. It is the ever-changing result of a neverending tension between forces pushing from within and pressures coming from without. Through a cynical, tender, and arbitrary analysis of what probably cannot be sliced and diced Francesca Catastini plays with archetypes and images considering the
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January 2020

LABYRINTH – FOUR TIMES THROUG THE LABYRINTH

The starting point for this transcript of four lectures, all held in Leipzig in 2010, is a public art work that Olaf Nicolai installed in Paris in 1998. By exploring and combining a broad spectrum of topics that relate to the theme of the labyrinth, this book serves as both, a reference system to Nicolai’s work as well as an independent source book dealing with labyrinthian matter ranging from the minotaur to the floorplans of IKEA.
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January 2020

SEMIAUTOMATIC PHOTOGRAPHY

Jules Spinatsch began working with automatic cameras fifteen years ago, making use of the equipment employed in the surveillance of public spaces. At the time he created a 180° panorama of the World Economic Forum in Davos consisting of 2,176 individual images. He continued the group of works entitled Semiautomatic Photography with, among other things, shots of a football stadium, the Vienna Opera Ball, a prison, and the SAP headquarters. The book Semiautomatic Photography now shows the
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