The mid-1960s witnessed a boom in underground and selfpublished works. Hectographs, mimeographs, and offset printing not only allowed for the production of small, lowcost print runs but also promote a unique aesthetic: using wild mock-ups, »messianic amateurs« combined typescript aesthetics, handwriting, scribbled drawings, assemblages of collaged visuals, porn photos, snapshots, and comic strips. The typography consciously frees itself, in parallel to a liberalization of linguistic and visual forms of expression in the name of

The Drone Chronicles maps the evolution and increasing integration of drones in our society, from the American invasion in Afghanistan in 2001 onwards. The limitless applications of drones and a series of quite extraordinary stories in which they figure are highlighted in this chronicle. All the articles included here derive from different international media outlets, in which ethical and political questions about drone usage are reviewed from a variety of perspectives. The extensive catalogue looks at

This is not an artist’s book about borders. Rather, it is an artist’s book about overcoming the influence of politics on the land within the borders of unrecognized or semi-recognized states. It is a document of the fragmented symptoms of the “Bosnian pot” character of governance, in which all components simultaneously complement and eliminate each other. This unsettling principle of governance, in which elements unable to withstand the pressure collapse, while those tha

Transmontanus, the Latin term meaning “beyond the mountains”, is an allusion to the wind coming from the Pyrenees that characterises the Catalan region of the Empordà, not only defining its identity but also bringing change and erosion. Transmontanus is both a journal and a journey back to a landscape we knew as children. The journal describes a rediscovery: going back to that landscape and seeing it from a perspective that time has changed

Astres Noirs is the debut book for both Katrin Koenning and Sarker Protick, artists who live thousands of miles apart whose peculiar photographic wanderings create a hauntingly beautiful dialogue. This book presents photographs taken on mobile phone cameras, devices used to capture their everyday in an impulsive and almost obsessional way, documenting life from their doorsteps to far afield. Their photographs capture the commonplace such as water stains on asphalt, dust clouds and rays of