Fièvre is the eleventh book published by Lorenzo Castore. Fièvre takes shape from the desire of David Fourré - founder of éditions lamaindonne - and Caroline Benichou to share Castore's approach to photography, which manifests itself in a very physical daily practice. The publication comes to life through the dialogue between the three, which found an important source of inspiration from the visit of Fourré and Benichou to the exhibition at the Galerie Anne Clergue

Dark Mirrors assembles sixteen essays by photographer and critic Stanley Wolukau-Wanambwa focusing on contemporary fine art photographic and video practices that are principally, though not exclusively, rooted in the United States, written between 2015 and 2021. Wolukau-Wanambwa analyses the image’s relationship to the urgent and complex questions that define our era, through the lens of artistic practices and works which insightfully engage with the ongoing contemporaneity of disparate histories and the ever-changing status of the vis

In this redesigned and expanded version of a classic Aperture book, the work of Berenice Abbott (1898-1991) is introduced by historian Julia Van Haaften, and includes new, image-by-image commentary and a chronology of this artist's life. An innovative documentary photographer, Abbott pioneered the depiction of scientific subject matter and photographed the fast-changing landscape of her times. Abbott studied journalism for a year in Ohio before moving to New York in 1918 to study sculptu

The images in this book, collected under the title Works for a Cosmic Feeling, create a map, and an ode at the same time. They map out the universe of the author, the constellations that guide him and inspire his wonderings, the pathways and crossroads where he gets lost and finds himself back again. Just like god and the devil being hidden in details, Barile’s images oscillate in a constant flux of conscience, a r

In New Works for a Post-Worker’s World, Valenzuela continues to deeply address the realities of working-class lives in the United States and the power structures to which they are subjected, already explored in his oeuvre. The publication collects a new body of works of black-and-white images, scenes of machine-like contrivances meant to evoke labour and its afterlife, in dialogue with a visual essay made of archival images highlighting the power struggle between