Paolo Di Lucente, Rome, 2022

A work of analogies is associated with the selection of fake ruins that in the composition are taken out of their context, such as the bronze she-wolf, loggias with neoclassical columns, a Colosseum-hotel that evolve between the pages to become burnt and abandoned scraps.

The American on the road meets the postcards of imperial Rome, in a subtle mix of genres. Both subjects, the myth of the American dream and the infinite fascination for the ruins of history, are the protagonists of a journey through parallel eternal cities.