In Picture Summer on Kodak Film, a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico, Nepal, Thailand, USA and Vietnam), these photographs come together to create a singular visual language: one bright, timeless, fictional place. A pla

With contributions by Patricia Ticineto Clough, Helmut Draxler, Sophie Houdart, Chihiro Minato, Matt Mullican, Lucy Powell, and Oxana Timofeeva Towards (Im)Measurability of Art and Life gathers together various stories, practices, and essays about measurement that embrace paradox, contradiction, and humour. The book creates and introduces incidents of ideas, conceptual methods, acts, and processes of measurement that dwell in a conceptual transition between science (technology) and everyday life. When measurement is viewed as a practi

So what is Imago? It is not easy to say: a magazine, a house organ, a sample book of graphic excellence, a repertoire of images, a meeting place, a laboratory for technical and creative experimentation, or something else? Imago itself does not show itself with "intentions of clarity": first it hides, then, once opened, it explodes, expresses itself in infinite forms and finally gets lost, fragments - or transforms itself with each new attempt to approach it. - Giorgi

FUAM Dummy Book Award 2018, Istambul Photobook Festival Valentina Piccinni and Jean-Marc Caimi went in search of their own vision of the metropolis – culminating in a forceful, cryptic and mysterious portrait of their adopted hometown. Having previously explored the Italian city of Naples for their photo book Forcella, Valentina Piccinni and Jean-Marc Caimi have now focused their attention on the country’s famous capital. Characterised by a neorealist approach the duo’s black and whi

Peter Funch’s latest project addresses the passage of time and man’s continued and evolving effects on the environment. Appropriately, Funch explores the Anthropocene by employing a photographic technique invented at the height of the Industrial Revolution, that of RGB tri-color separations. Featuring images captured during Funch’s various trips through the Northern Cascade Mountain Range, the book is an imperfect recreation of landscapes and wilderness as depicted in the archive of vintage pos