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2019

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Johanna Tagada, DO INSECTS PLAY?,

Trine Søndergaard, STASIS II,

Nicolai Howalt, OLD TJIKKO,

Sergey Novikov, Max Sher, INFRASTRUCTURES,

Sonja Alhauser, TUTTO CASHER,

Sonja Alhauser, COME PULIRE I CARCIOFI,

Sonja Alhauser, ALICIOTTI E INDIVIA,

Sonja Alhauser, CONCIA,

Massimiliano Tommaso Rezza, UN CERTO SALVATORE M.,

Michele Palazzi, FINISTERRAE: TERRA DI CONFINE,

Emilie Hallard, LES CORPS INCORRUPTIBLES,

Jules Spinatsch, SEMIAUTOMATIC PHOTOGRAPHY,

Jean-Marc Caimi, Valentina Piccinni, THE BURNING PLAIN,

Francesca Catastini, PETRUS,

Margherita Chiarva, THE SPACE IN BETWEEN,

Schiene Pelose, FranZine, SCHIENE PELOSE IL MUSICAL – FRANZINE N°1,

Danilo Marabotto, SIGNORINE – FRANZINE N°2,

FranZine, Schiene Pelose, OLTRE-TOMBOLA – FRANZINE N°3,

Daria Gatti, VOLPE E CANE BLU – FRANZINE N°4,

Elton Gllava, BLANCO,

Johanna Tagada,
DO INSECTS PLAY?,

Trine Søndergaard,
STASIS II,

Nicolai Howalt,
OLD TJIKKO,

Sergey Novikov, Max Sher,
INFRASTRUCTURES,

Sonja Alhauser,
TUTTO CASHER,

Sonja Alhauser,
COME PULIRE I CARCIOFI,

Sonja Alhauser,
ALICIOTTI E INDIVIA,

Sonja Alhauser,
CONCIA,

Massimiliano Tommaso Rezza,
UN CERTO SALVATORE M.,

Michele Palazzi,
FINISTERRAE: TERRA DI CONFINE,

Emilie Hallard,
LES CORPS INCORRUPTIBLES,

Jules Spinatsch,
SEMIAUTOMATIC PHOTOGRAPHY,

Jean-Marc Caimi, Valentina Piccinni,
THE BURNING PLAIN,

Francesca Catastini,
PETRUS,

Margherita Chiarva,
THE SPACE IN BETWEEN,

Schiene Pelose, FranZine,
SCHIENE PELOSE IL MUSICAL – FRANZINE N°1,

Danilo Marabotto,
SIGNORINE – FRANZINE N°2,

FranZine, Schiene Pelose,
OLTRE-TOMBOLA – FRANZINE N°3,

Daria Gatti,
VOLPE E CANE BLU – FRANZINE N°4,

Elton Gllava,
BLANCO,