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Stefan Gronert, LA SCUOLA DI DÜSSELDORF – Fotografia contemporanea tedesca,

Rob van Leijsen, Art Handling in Oblivion,

NANSEN, NANSEN, Issue 02,

AA. VV., EEP VOL. 1,

Niina Vatanen, TIME ATLAS,

Alberto Vieceli, Nadine Olonetzky, HOLDING THE CAMERA,

AA. VV., DEMONSTRATION ROOMS,

Ricarda Roggan, KINO,

Kader Attia, TRANSFORMATIONS,

Sonja Alhauser, TUTTO CASHER,

Sonja Alhauser, COME PULIRE I CARCIOFI,

Sonja Alhauser, ALICIOTTI E INDIVIA,

Sonja Alhauser, CONCIA,

Tobias Zielony, VELE,

Tobias Zielony, MANITOBA,

Tobias Zielony, TRONA: ARMPIT OF AMERICA,

Jules Spinatsch, SEMIAUTOMATIC PHOTOGRAPHY,

Olaf Nicolai, Jan Wenzel, LABYRINTH – FOUR TIMES THROUG THE LABYRINTH,

Peter Puklus, Bill Kouwenhoven, ONE AND A HALF METER,

Dieuwertje Hehewerth, SALTICIDAE,

Stefan Gronert,
LA SCUOLA DI DÜSSELDORF – Fotografia contemporanea tedesca,

Rob van Leijsen,
Art Handling in Oblivion,

NANSEN,
NANSEN, Issue 02,

AA. VV.,
EEP VOL. 1,

Niina Vatanen,
TIME ATLAS,

Alberto Vieceli, Nadine Olonetzky,
HOLDING THE CAMERA,

AA. VV.,
DEMONSTRATION ROOMS,

Ricarda Roggan,
KINO,

Kader Attia,
TRANSFORMATIONS,

Sonja Alhauser,
TUTTO CASHER,

Sonja Alhauser,
COME PULIRE I CARCIOFI,

Sonja Alhauser,
ALICIOTTI E INDIVIA,

Sonja Alhauser,
CONCIA,

Tobias Zielony,
VELE,

Tobias Zielony,
MANITOBA,

Tobias Zielony,
TRONA: ARMPIT OF AMERICA,

Jules Spinatsch,
SEMIAUTOMATIC PHOTOGRAPHY,

Olaf Nicolai, Jan Wenzel,
LABYRINTH – FOUR TIMES THROUG THE LABYRINTH,

Peter Puklus, Bill Kouwenhoven,
ONE AND A HALF METER,

Dieuwertje Hehewerth,
SALTICIDAE,