2018
Mike Kelley,
2018
Juan José Lahuerta,
‘PHOTOGRAPHY OR LIFE’ & ‘POPULAR MIES’,
2018
Lena C Emery,
YUKA & THE FOREST,
2018
Mela Dávila Freire, Maite Muñoz Iglesias,
LEGIBLE – VISIBLE. BETWEEN THE FILM FRAME AND THE PAGE,
2018
Lee Lozano,
NOTEBOOKS 1967–70,
2018
Claudio Majorana,
HEAD OF THE LION,
2018
Lorenzo Castore,
EWA & PIOTR,
2018
Freek Lomme,
CAN YOU FEEL IT? EFFECTUATING TACTILITY AND PRINT IN THE CONTEMPORARY,
2018
Diego Tonus,
THE PRESIDENT’S HAMMER,
2018
Steve Carr,
VARIATIONS FOR TROUBLED HANDS,
2018
Sanne Van Den Elzen,
TODAY, TOO, I EXPERIENCED SOMETHING I HOPE TO UNDERSTAND IN A FEW DAYS,
2018
Alex Majoli,
ANDANTE,
2018
Soham Gupta,
ANGST,
2018
Nadine Schlieper, Robert Pufleb,
ALTERNATIVE MOONS,
2018
Taco Hidde Bakker ,
THE PHOTOGRAPH THAT TOOK THE PLACE OF A MOUNTAIN,
2018
Valentino Barachini,
PRIMA DEL DILUVIO,
2018
Valentino Barachini,
DOMESTIC LANDSCAPES,
2018
Rafael Tanaka Monzò,
ABEND DER WORTE,
2018
Max Pinckers,
MARGINS OF EXCESS,
2018