June 2020
An Unexpected Influencer. Aby Warburg as a Muse for Contemporary Visual Culture. On-and-offline Book Display and Open Survey
We are witnessing a growing interest in Aby Warburg’s use of images and in the ways he displayed them in original visual narratives. During his life long research he choose visual narratives as the main tool of investigation and explanation of Mediterranean cultures. We believe that inclusion of non academic perspectives within Warburg’s legacy will enhance a wider debate around his (anti) methodology. We are interested in projects involving images, and especially photography, books, displays, graphics, photographic archives and collections, both on and offline.
Through the book(s) on the web #4 is focused on an informal selection of books inspired by or concerned with Warburg’s innovative premises, from groups of publications more related to the theoretical side of the discourse, to authors such as Georges Didi-Huberman on one side and Gerhard Richter and Hans Peter Feldman on the other, to clusters of books chosen both from Leporello’s bookshelves and from our private libraries. The book selection is partly on display both in Leporello and on its web-site, going along with a series of interviews and projects published on Leporello’s blog and on anunexpectedinfluencer instagram account.
An open call will serve as a guide for a selection of works that will be also published on Leporello’s platforms devoted to the project and to widen the book display thanks to your indications.
The call is addressed to all those who use visual language and are interested in all inclusive and fluid methods of visual mounting proces- ses following a-historical and anti hierarchy discourses, adaptability of interpretation/misinterpretation and who are sensitive to social and political uses of images. We are interested in confronting vi- sual projects, whether focused on the origin of art, persistence and recur- rence of visual compositions, strict visual presentation, photo-archives, politics, conflicts.
Download here more details about the project and about Warburg, his practice and use of images and photography, with a focus on his photographs of the Hopi tribe rituals, the BilderAtlas Mmenosyne –Visual Atlas of Memory, and the way books were organized in his library.
Here’s the selected, and in progress, bibliography which is being expanded by your book suggestions as given in the interviews you can read in our blog.
Books selection
By Chiara Capodici and Benedetta Cestelli Guidi
Aby Warburg,
BILDERATLAS MNEMOSYNE, THE ORIGINAL,
2020Aby Warburg,
MNEMOSYNE. L’ATLANTE DELLE IMMAGINI,
2002Aby Warburg,
LA RINASCITA DEL PAGANESIMO ANTICO,
2000Aby Warburg,
LE RITUEL DU SERPENT. ART & ANTHROPOLOGIE,
2003Aby Warburg,
LE RITUEL DU SERPENT. RÉCIT D’UN VOYAGE EN PAYS PUEBLO,
2015Aby Warburg,
IL RITUALE DEL SERPENTE. UNA RELAZIONE DI VIAGGIO,
1998Aby Warburg,
GLI HOPI. LA SOPRAVVIVENZA DELL’UMANITÀ PRIMITIVA NELLA CULTURA DEGLI INDIANI DELL’AMERICA DEL NORD,
2006Claudia Cieri Via,
INTRODUZIONE A ABY WARBURG,
2011Kurt W. Forster, Katia Mazzucco,
INTRODUZIONE A ABY WARBURG E ALL’ATLANTE DELLA MEMORIA,
2002Elisabetta Villari,
ABY WARBURG, ANTROPOLOGO DELL’IMMAGINE,
2014Benedetta Cestelli Guidi, Nicholas Mann,
PHOTOGRAPHS AT THE FRONTIER. ABY WARBURG IN AMERICA 1895-1896,
1996Philippe-Alain Michaud,
ABY WARBURG AND THE IMAGE IN MOTION,
2004Georges Didi – Huberman,
IMMAGINE INSEPOLTA. ABY WARBURG, LA MEMORIA DEI FANTASMI E LA STORIA DELL’ARTE,
2006Georges Didi – Huberman,
NINFA MODERNA,
2013Georges Didi – Huberman,
COME LE LUCCIOLE. UNA POLITICA DELLA SOPRAVVIVENZA,
2010Gerhard Richter,
ATLAS DER FOTOS, COLLAGEN UND SKIZZEN,
1976AA. VV.,
PHOTOGRAPHY AND PAINTING IN THE WORK OF GERHARD RICHTER: FOUR ESSAYS ON ATLAS,
2008Gerhard Richter,
100 PICTURES,
1996Hans Peter Feldmann,
ALBUM,
2009Hans Ulrich Obrist, Hans Peter Feldmann,
INTERVIEW,
2009Hans Peter Feldmann,
BILDER PICTURES,
2003Franz Boas,
ARTE PRIMITIVA. FORME, SIMBOLI, STILI, TECNICHE,
1997Antonin Artaud,
AL PAESE DEI TARAHUMARAS E ALTRI SCRITTI,
2009Ines Schaber,
NOTES ON ARCHIVES 1 – OBTUSE, FLITTING BY, AND IN SPITE OF ALL – IMAGE ARCHIVES IN PRACTICE,
2018 Ines Schaber,
NOTES ON ARCHIVES 2 – CULTURE IS OUR BUSINESS,
2018Ines Schaber,
NOTES ON ARCHIVE 3 – PICTURE MINING,
2019Ines Schaber,
NOTES ON ARCHIVES 4 – DEAR JADWA,
2018Ines Schaber,
NOTES ON ARCHIVE 5. UNNAMED SERIES,
2019Cristina Baldacci,
ARCHIVI IMPOSSIBILI – UN’OSSESSIONE DELL’ARTE CONTEMPORANEA,
2016David Campany,
A HANDFUL OF DUST,
2017AA. VV.,
AFFECT ME: SOCIAL MEDIA IMAGES IN ART,
2018Giuliana Bruno,
ATLANTE DELLE EMOZIONI IN VIAGGIO TRA ARTE, ARCHITETTURA E CINEMA,
2015Giorgio Agamben,
CHE COS’È UN DISPOSITIVO?,
2006Ariella Azoulay,
CIVIL IMAGINATION: ONTOLOGIA POLITICA DELLA FOTOGRAFIA,
2018Salvatore Settis,
FUTURO DEL ‘CLASSICO’,
2004AA. VV.,
I PERCORSI DELLE FORME. I TESTI E LE TEORIE,
1998Giorgio Barbera,
LA BATTAGLIA DELLE IMMAGINI. PICCOLO MANUALE DI RESISTENZA FOTOGRAFICA,
2016Marco Belpoliti,
LA FOTO DI MORO,
2008Sally Stein,
MIGRANT MOTHER, MIGRANT GENDER,
2020John Berger,
MODI DI VEDERE,
2015Carlo Ginzburg,
OCCHIACCI DI LEGNO,
2019AA. VV.,
RE-READING THE MANUAL OF TRAVELLING EXHIBITIONS,
2018Julius von Schlosser,
STORIE DEL RITRATTO IN CERA,
2011Ariella Azoulay,
THE CIVIL CONTRACT OF PHOTOGRAPHY,
2008AA. VV.,
THE LIVES AND LOVES OF IMAGES,
2020Alex Coles,
THE OPTIC OF WALTER BENJAMIN,
2001Nicola Nunziata,
ALBUM,
2019Lucas Samaras,
ALBUM 2,
2015Lous Martens,
ANIMAL BOOKS FOR JAAP ZENO ANNA JULIAN LUCA,
2017Marina Caneve,
ARE THEY ROCKS OR CLOUDS?,
2019Massimiliano Tommaso Rezza,
ATEM,
2015Erik Göngrich,
ATLAS OF SCULPTURAL SITUATIONS I–V,
2020Walid Raad,
BETTER BE WATCHING THE CLOUDS / I WANT TO BE ABLE TO WELCOME MY FATHER TO MY HOUSE,
2019Guido Guidi ,
CARLO SCARPA’S TOMBA BRION,
2011Haris Epaminonda,
CHAPTERS I-XXX,
2014Sam Contis, Dorethea Lange,
DAY SLEEPER,
2020Maria-José Jongerius,
EDGES OF THE EXPERIMENT,
2015Carla Rak,
EYES AS OARS. A VISUAL JOURNEY ON MARS,
2019Experimental Jetset,
FULL SCALE FALSE SCALE,
2019Clare Strand,
GIRLS PLAY WITH SNAKE,
2016Federico Clavarino ,
HEREAFTER,
2019Adam Broomberg, Oliver Chanarin,
HOLY BIBLE,
2013Lilia Angela Cavallo,
IL DIZIONARIO DEI GESTI,
2017Walid Raad,
LET’S BE HONEST, THE WEATHER HELPED,
2019Mario Cresci,
MARIO CRESCI. SEGNI MIGRANTI,
2019AA. VV.,
NEIN, ONKLE,
2007Thomas Sauvin, Kensuke Koike,
NO MORE, NO LESS,
2018Thomas Sauvin, Kensuke Koike,
NO MORE, NO LESS,
2018Thomas Sauvin, Kensuke Koike,
NO MORE, NO LESS,
2018OMA,
PALERMO ATLAS,
2018Batia Suter,
PARALLEL ENCYCLOPEDIA II,
2018Jalal Toufic,
POSTSCRIPTS,
2019Karel Martens,
RE-PRINTED MATTER,
2019Adam Broomberg, Oliver Chanarin,
SCARTI,
2013Joan Fontcuberta,
SCHERZI DELLA NATURA,
2001Valentino Barachini,
SEMI,
2019Rob van Leijsen,
THE DRONE CHRONICLES 2001-2016,
2019Thorsten Brinkmann,
THE GREAT CAPE RINDERHORN,
2016Nicolò Degiorgis,
THE LONG 19TH CENTURY DIGESTED VOL.II,
2019Erik Kessels,
THE MANY LIVES OF ERIK KESSELS,
2015Helmut Völter, Masanao Abe,
THE MOVEMENT OF CLOUDS AROUND MONT FUJI,
2016Fabian Reimann,
THE WORLD SET FREE: A HISTORY OF MANKIND,
2018Niina Vatanen,
TIME ATLAS,
2019Yuzheg Cheng, Ce Jian,
TRANSEUROPA,
2017Kader Attia,
TRANSFORMATIONS,
2014Massimiliano Tommaso Rezza,
UN CERTO SALVATORE M.,
2019Helmut Völter ,
WOLKENSTUDIEN. CLOUD STUDIES. ÉTUDES DES NUAGES.,
2016AA. VV.,
YES YES YES ALTERNATIVE PRESS 1966-1977, FROM PROVO TO PUNK,
2015Maria Kapajeva,
YOU CAN CALL HIM ANOTHER MAN,
2018Roger Caillois,
LA LECTURE DES PIERRES,
2014Johannes Schwartz,
THE ATHENS RECORDER,
2016Peter Puklus,
THE EPIC LOVE STORY OF A WARRIOR,
2016Hours and Infos
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